From Bustle:

“Our writers, like our readers, are from diverse backgrounds with an endless range of interests. What we all have in common with each other is that we are insatiably curious about the world.

You care about what’s working and what isn’t, about fashion, politics, technology, celebrities, health, beauty, work, sex, friendship, food, and more. What we care about is providing these stories in a way that’s smart, informative, fun, and supportive — of your relationships, your choices, your goals, and you.”

URL: bustle.com

Payment: Unknown. Regular contributors are paid, rates unknown. “Guests” may not be paid. Check with Bustle

Submission Information:

From Bustle, they’re looking for “personal essays, think pieces pegged to events in news, pop culture or feminism, editorials, reported pieces, experiments, and really, any other super-strong work you’d like to reach a large audience with.”

Pitch Information: Written pieces and pitches are both accepted. Article length should be between 800 and 2000 words but the Bustle “sweet spot” is 1000-1500 words. Bustle uses Submittable to submit pieces but also has an email to use for pitches: pitches@bustle.com. 

How to Pitch to Bustle <=== Read this first! Great information.

Submit to Bustle

Kayla Lords

Kayla Lords is a freelance sex writer, podcaster, blogger, all-around sex content creating human, and she really likes creating content. As a writer, she focuses on sex and kink primarily on BDSM and power exchange. She works with private clients to write their content and manage their social media, while also co-hosting two podcasts, running a YouTube channel, and managing multiple blogs. Let's just say, she stays busy and wants to keep it that way. Kayla is an international speaker and an award-winning sex blogger. She believes we are stronger together as a community than we are isolated and apart. We all deserve to get paid for the work we do, but until we understand our cumulative power, we'll all wonder if we're "the only one" doing this smutlancing thing.

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